Yamla Pagla Deewana 2 boring two much

Ayupp

The first Yamla Pagla Deewana (2011), offered a lot of smiles on the faces of the deol fans. This was the movie which made the brand of Yamla Pagla Deewana. It was unbearable. Almost equally unbearable was having to later discover that it was something of a hit at the box office. Directed by Sangeeth Sivan, YPD2 brings back all the Deols — Dharam (Dharmendra), Paramveer (Sunny Deol) and Gajodhar (Bobby Deol). Why is anybody’s guess. The movie starts with 3 lead actors now in Uk. This time the money-hungry Dharam and his conman son Gajodhar leave Benares for the UK, to visit their straight-as-an-arrow son and brother Paramveer, who is a highly annoying, turbaned do-gooder. There is another agenda, of course. For Gajodhar – of the fictitious Oberoi Oberoi and Oberoi Industries fame – to marry Suman (Neha Sharma), daughter of assumed billionaire Sir Yograj (Annu Kapoor) for money. Except, it turns out she’s not his daughter, but *like* his daughter. Semantics, semantics. His real daughter is Reet (Kristina Akheeva), who very quickly becomes the apple of Param’s needy eyes. Trying very hard (but mostly failing) to add comedy to the film is good old Johnny Lever, first talking like Shah Rukh K-k-k-Khan, then ‘disguised’ as a sardar (Bunty Singh), then a Chinese man named Bunty Chong, then a Japanese fellow named Bunty Hiroshima. One scene has him introducing himself as Bunty Hiroshima and his partner Babli Nagasaki, and they’ve come “to report ke plan bomb ho gaya”. Actually, there are too many unnecessary characters. And they don’t add to the comedy. What is the need to force-fit a woman who talks like a cat, or a flatulent Sumo wrestler, or an orang-utan who gets as much screen time as the three Deols? Ok, the orang-utan makes sense: he fits so seamlessly into the Deol family. But whoever thought it would be hilarious if Bobby Deol’s character mistook MF Husain for Zakir Hussain, and Leonardo da Vinci for Leonardo DiCaprio, go back to whence you came. Through the 140-minute runtime, not one character is allowed to miss their chance to spoof another Bollywood film or actor. From Salman Khan’s most famous dialogues, to the world famous Shah Rukh K-k-k-Khan stammer (WHY ARE WE NOT DONE WITH THIS ALREADY?), to the ’70s formula of saving a girl from goons and winning her heart. They’ve got 100 tricks up their sleeves, but not one works. In fact, all they do is distract you from an already-messy storyline, so by the end of it, you have absolutely no idea what’s going on. It is tough to decide how to complete the movie once it starts  



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